Davone in 2017
新的Grande
搭載全新設計的鈹金屬高音
2017年Grande搭載新型鈹高音單體它可輕鬆直上40kHz,大幅改善了動態靈敏度及在細微處的重現,隨著進一步加強改良中音驅動單體特性,更符合重現音樂家們所要表達的氛圍
全新的Solo
Solo它包括我們過去十年來累積經驗下,所成就令人印象深刻的落地型喇叭系統;它代表著Davone全新一代的聲音取向,特別加強在聲學設計與彎曲膠合板上的技術整合。我們使用獨一無二高品質喇叭單體與分頻網路上的技術,延續著Grande的血脈...Solo足以成為Davone的次旗艦級產品
Ray的升級
最新版本的Ray,是於我們全新完成的60平方米的聲學研究中所開發廷續出來的產品;它承續並實現了Solo所發展下的最新技術,這兩個系統共享類似的優秀喇叭單體驅動方式與精準的分頻技術,我可以說,Ray現在的整體表現更優秀!
Tulip的升級
鬱金香在高音與低音單體的驅動器上全新升級,可說已演變為一對有層次感及穩定音場表現的落地型喇叭了!採用全新的分頻分音器技術導入,搭載兩個高動態的低音喇叭單體,確保在低音及中音範圍內達到更準確地結合表現,且能將具有獨特的環形擴散高音單體合併至最佳狀態,以獲得整體音色的準確、平衡與樂器及人聲的實體感
有關於設計者簡介
Paul Schenkel MSc他是Davone的主要設計核心人物 對於音樂和工業設計的深刻熱情,Paul開始設計和製作喇叭系統,他的理念是希望使您最喜歡的音樂聽起來更加地美麗真實;包括那些古老而偉大的音樂錄音。近年隨著我們的60平方米的Værløse Studio聲學處理測試空間的完成,我們將在這裡持續不断地對現階段每一對喇叭系統的進化及演變。結合3D CAD設計的最新技術,我們將在未來幾年內致力於發展出更多更令人興奮的喇叭系統。

我們希望如此優異且兼具美學素養的產品,能夠提供給您選擇!
About Davone
grande
2017The Grande being a cost-no-object loudspeaker, is an audiohile dream to develop. The new beryllium dome tweeter quickly revealed it's quality and in the diffraction free Grande cabinet, it comes to it's full potential. Probably too many listening hours were used to develop the new cross over. Beryllium can be very addictive to listen to. Just close your eyes and let yourself emerse in the music.
studio
2017A small wood model was missing in the product line, but we did not want to make it small sound wise. So after some initial testing we decided to use a 7" woofer. Together with the high quality tweeter, the Studio became a powerful high performance speaker, hence the name Studio. And just like Mojo we designed a dedicated stand to enable the Studio's full potential.
studio
2016The Vaerlæse Studio enabled a higher level of sound quality refinement. Countless listening hours led to the Grande, Ray and Tulip VS (A) upgrades. Learnings from each model flowing into the other. Also, with the VS series, the sound signature has become more consistent throughout the product line.
studio
2016In the new facility we were able to set up a dedicated listening space. And because the company is located in Vaerløse, a small town north of Copenhagen, the studio is called Vaerløse Studio. This was ideal for developing the new Solo, which represented the next step in Davone sound quality.
mojo
2015With a basic product line in place, it was time to add colours (to the Tulip at first) and finally launch the long overdue stand for the Mojo. And again we had to move to a larger faility to accomodate the production.
tulip
2014The Tulip had its introduction at the Munich show 2014. With it's small statue and full sound, it quickly becomes a public favorite.
rays
2013With three years under it's belt, it was time to update the Ray with the technology from Riva and Grande. The result was the Ray-S. Same on the outside, refreshed on the inside.
riva
2013With Grande just off our plate, we quickly set out to develop an easy-to-position floorstander, called Riva. It is no coincidence that both cabinet construction and acoustic concept are very similar to Grande. From the start it was praised for its open and authoritative sound. At the same time we moved to a larger faility to accomodate the production off the now 4 models.
grande
2013The public welcomes the Grande, the new flagship whose cabinet is reminiscent of a luxureous lounge chair and is the result of a painstaking 2-year-project. With its state of the art acoustics Grande impresses and quickly finds it first owners.
mojo
2011-2012Though it was planned to introduce a flagship model next, due to its complexity this product took more time to develop than anticipated. So out came Mojo first. This compact omni directional loudspeaker caused a buzz on the hallways at the CES introduction at january 2012. It has been a favourite for anyone looking for big sound from small speaker since.
Ray-GQ
2010How to follow the success of the Rithm design? The pressure was on. After a long development period, Ray was introduced in June 2010. Following the coaxial tradition of Rithm, it got an immediate following. And judging from the massive press interest, Davone was on the right track.
rithm
2006-2007The 20th of August 2006, Davone becomes a company. Production, though limited to the different evolutions of the Rithm, commences in a small workshop in Hillerød, about 30 km north of Copenhagen. Actual sales starts in December 2007. The Rithm design was an immediate success and the coaxial driver was able to equally impress.
rithm
2005While working among other as an acoustic researcher during the day, in spare time the desire to build the Rithm loudspeaker never faded. But not before meeting Klavs Bro Olesen, a highly skilled church organ designer, became the first Rithm prototype a reality. From here on Klavs is a permanent member of the Davone think tank.
rithm
1997Already in 1997 the first product, later to be called Rithm, was born on paper.
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