Davone in 2018
新的Grande
搭載全新設計的鈹金屬高音
2017年Grande搭載新型鈹高音單體它可輕鬆直上40kHz,大幅改善了動態靈敏度及在細微處的重現,隨著進一步加強改良中音驅動單體特性,更符合重現音樂家們所要表達的氛圍
全新的Solo
Solo它包括我們過去十年來累積經驗下,所成就令人印象深刻的落地型喇叭系統;它代表著Davone全新一代的聲音取向,特別加強在聲學設計與彎曲膠合板上的技術整合。我們使用獨一無二高品質喇叭單體與分頻網路上的技術,延續著Grande的血脈...Solo足以成為Davone的次旗艦級產品
Ray的升級
最新版本的Ray,是於我們全新完成的60平方米的聲學研究中所開發廷續出來的產品;它承續並實現了Solo所發展下的最新技術,這兩個系統共享類似的優秀喇叭單體驅動方式與精準的分頻技術,我可以說,Ray現在的整體表現更優秀!
Twist的音樂表現
憑藉其開放,細緻和在音樂感染力的特性,Twist它絕對是一對經典的2音路全頻段喇叭系統的典範。四階Linkwitz-Riley分頻網路改進了房間響應的問題,相對它提供了較大的音箱容積更可以提供全線性擴展的低頻延伸。這種精心策劃的安排完全釋放了其搭載的高質量丹麥設計單體的全部潛力。而"Twist Select”則可採用我們所提供的顏色,材質客制之"無前飾擋板設計"
關於Davone
精緻的品質
Davone已成為優雅和簡約奢華的代名詞,從丹麥傳統精湛工藝中汲取靈感,目前擁有多種獨特造形的喇叭系统。

Davone是高端音響的先鋒!
憑藉其在設計和聲學方面享有盛譽的丹麥,從2007年我們的設計團隊進行全面生產和陸續開發獨特的產品。
Art & Science
藝術與科學的發展既是一門科學,也是一門藝術。在科學建立的基礎上,傾聽的藝術才能令人留下最終的印象。反覆聆聽那最細微的細節,無論是使用單個單體還是完整的喇叭系统,我們都會進行微調,直到找到最佳值。在Davone的視聽室,我們為每個系列喇叭系統做到這點,無論其大小。直到我們完全滿意它能提供Davone所熟知的音樂與聲音平衡嚴格的要求。
良好的氛圍
Davone喇叭系统外型流暢且有著中世紀的品味風格。這已成為Davone的特色。儘管每個型號都是獨特的,但它們都來自同一個起源:奢華的中世紀裝飾之家。享受一下!木製牆板、厚重的羊毛地毯、褪色的顏色、舒適的Eames休閒椅和皮革氣味的融合!總而言之,整體的搭配這是一個會讓人在視覺上感到舒適及聽覺上良好的氛圍。
SOLO
我們注重所創造的工藝
我們採用手工模具的製造技術基本上是沒有改變,積層壓製彎曲木材產品,最初是出現在上個世紀中葉。多個薄木板利用擠壓彎曲鑄造成其最終形狀,膠水的成分是關鍵物質!要如何才能將木皮積層間的膠水熱量轉變成玻璃狀態,其過程繁複需要經驗值逐層進行審視膠合固定的狀態,過程才能獲得最佳的結果。
我們模型的三維複雜性在冷卻時需要更加小心的關注。在最終組裝期間,仍然需要進行細小的調整,因為每個部分略有不同。因此我們每次發表新的產品,都是一種使命。客戶亦非常肯定及欣賞Davone對產品的努力,我們亦為我們所做的事感到自豪!
成為Davone的擁有者
享受音樂就是它的目的!
想像一下,播放你喜愛的歌曲,輕輕闔上你的雙眼,身心靈完全沉浸在音樂中,去發現你從未聆聽過的新細節,讓美妙的音樂洗去一身的疲勞!
憑藉其標誌性外觀,Davone喇叭系统確實是獨一無二的。與其他大量生產的匿名者相差甚遠。就像聆聽體驗一樣,Davone模型的創建始終是永久持有的所有權者。意思是客製化而不是過度的頂端設計,去享受音樂而不是分析它。
Paul Schenkel MSc他是Davone的主要設計核心人物 他對於音樂和工業設計的深刻熱情,Paul開始設計和製作喇叭系統,他的理念是希望使您最喜歡的音樂聽起來更加地美麗真實;包括那些古老而偉大的音樂錄音。近年隨著我們的60平方米的Værløse Studio聲學處理測試空間的完成,我們將在這裡持續不断地對現階段每一對喇叭系統的進化及演變。結合3D CAD設計的最新技術,我們將在未來幾年內致力於發展出更多更令人興奮的喇叭系統。

我們一直致力於改善音質及設計質感這兩者的結合,Massimo Vignelli的這句著名言讓我非常震驚”設計師的生活是一種鬥爭的生活:一種與醜陋的鬥爭“
當然,有點戲劇化,但不要誤會! 聲音的構建質感與外型設計是同樣重要。

在我完全用盡一個新想法去設計出一款新作品之前,我不能放棄,因為我必須打破這些即有的特性,我也經常親自參於喇叭的組裝工作並用全新的思維去創造出符合現時之產品。

我們希望如此優異且兼具美學素養的產品
能夠提供給您最好選擇!

Paul親自在每對Davone喇叭附上簽名卡
About Davone
grande
2017The Grande being a cost-no-object loudspeaker, is an audiohile dream to develop. The new beryllium dome tweeter quickly revealed it's quality and in the diffraction free Grande cabinet, it comes to it's full potential. Probably too many listening hours were used to develop the new cross over. Beryllium can be very addictive to listen to. Just close your eyes and let yourself emerse in the music.
studio
2017A small wood model was missing in the product line, but we did not want to make it small sound wise. So after some initial testing we decided to use a 7" woofer. Together with the high quality tweeter, the Studio became a powerful high performance speaker, hence the name Studio. And just like Mojo we designed a dedicated stand to enable the Studio's full potential.
studio
2016The Vaerlæse Studio enabled a higher level of sound quality refinement. Countless listening hours led to the Grande, Ray and Tulip VS (A) upgrades. Learnings from each model flowing into the other. Also, with the VS series, the sound signature has become more consistent throughout the product line.
studio
2016In the new facility we were able to set up a dedicated listening space. And because the company is located in Vaerløse, a small town north of Copenhagen, the studio is called Vaerløse Studio. This was ideal for developing the new Solo, which represented the next step in Davone sound quality.
mojo
2015With a basic product line in place, it was time to add colours (to the Tulip at first) and finally launch the long overdue stand for the Mojo. And again we had to move to a larger faility to accomodate the production.
tulip
2014The Tulip had its introduction at the Munich show 2014. With it's small statue and full sound, it quickly becomes a public favorite.
rays
2013With three years under it's belt, it was time to update the Ray with the technology from Riva and Grande. The result was the Ray-S. Same on the outside, refreshed on the inside.
riva
2013With Grande just off our plate, we quickly set out to develop an easy-to-position floorstander, called Riva. It is no coincidence that both cabinet construction and acoustic concept are very similar to Grande. From the start it was praised for its open and authoritative sound. At the same time we moved to a larger faility to accomodate the production off the now 4 models.
grande
2013The public welcomes the Grande, the new flagship whose cabinet is reminiscent of a luxureous lounge chair and is the result of a painstaking 2-year-project. With its state of the art acoustics Grande impresses and quickly finds it first owners.
mojo
2011-2012Though it was planned to introduce a flagship model next, due to its complexity this product took more time to develop than anticipated. So out came Mojo first. This compact omni directional loudspeaker caused a buzz on the hallways at the CES introduction at january 2012. It has been a favourite for anyone looking for big sound from small speaker since.
Ray-GQ
2010How to follow the success of the Rithm design? The pressure was on. After a long development period, Ray was introduced in June 2010. Following the coaxial tradition of Rithm, it got an immediate following. And judging from the massive press interest, Davone was on the right track.
rithm
2006-2007The 20th of August 2006, Davone becomes a company. Production, though limited to the different evolutions of the Rithm, commences in a small workshop in Hillerød, about 30 km north of Copenhagen. Actual sales starts in December 2007. The Rithm design was an immediate success and the coaxial driver was able to equally impress.
rithm
2005While working among other as an acoustic researcher during the day, in spare time the desire to build the Rithm loudspeaker never faded. But not before meeting Klavs Bro Olesen, a highly skilled church organ designer, became the first Rithm prototype a reality. From here on Klavs is a permanent member of the Davone think tank.
rithm
1997Already in 1997 the first product, later to be called Rithm, was born on paper.
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